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THREE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the ��goddess of Bordeaux,�� with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and T��r��zia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said�� FORE:It is difficult to understand how anybody who had escaped from France at that time should have chosen to go back there, except to save or help somebody dear to them.The year 1765 witnessed the death of the Dauphin, and soon after that of the Dauphine, who was broken-hearted at his loss. The Dauphin died of a wasting illness, to the great grief of the King, who stood leaning against the doorway of [179] his son��s room, holding by the hand the Duc de Berri, until all was over. Then, turning away, he led the boy to the apartment of the Dauphine to acquaint her with what had happened, by giving the order to announce ��the King and Monseigneur le Dauphin.�� [69]